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, by Tiffany Trotter

, by Tiffany Trotter


, by Tiffany Trotter


Download Ebook , by Tiffany Trotter

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, by Tiffany Trotter

Product details

File Size: 16009 KB

Print Length: 76 pages

Publication Date: March 15, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PQ25Y59

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Amazon Best Sellers Rank:

#459,409 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Pretty much unreadable. Here are a couple example sentences:"Aloha was always considered restless, deep down she knew she wanted to explore the world.... Throughout her adventures Aloha captured many moments on camera, these became historical records of exploration that still exist to this day."I’m sure the author means well, but she needs either a refresher in English grammar or a good proofreader. I deleted it from my library.

I recently bought this book to read with my nieces ages 9 and 4 and it has exceeded my expectations. Its more geared to a grade 3 or 4 reading level, so I have been having the 9 year old read it to the rest of us. The girls have enjoyed the book. It is very informative and delivers the information in a way that peeks their interests. The illustrations in the book are also quite beautiful and well done. Initially we had decided that we would read a page a day, but the girls love it so much they are doing 2 to 3 pages each night. I also love that it has a glossary and a page where they can draw themselves doing a "first" and ultimately become apart of the book.

Brave Little Firsts is a nice collection of 20 introductory, easy to read biographies of women who were notable trailblazers. For instance, the book highlights the accomplishments of famous women such as Amelia Earhart (the first woman to fly solo across the Atlantic), Aretha Franklin (the first woman inducted into the Rock & Roll Hall of Fame) and Marie Curie (the first woman to receive a Nobel Prize). It also describes women who might not be as well known, such as Alice Stebbins Wells (the first female police officer), and Maria Tallchief (the first Native American ballerina). There are illustrations and quotes throughout the book to complement the biographies. This book could be shared with a child of any age but it would probably be best suited to a child in primary or elementary school, or a child who is starting to think about their dreams and aspirations in life.

Purchased as a gift for my little niece! Great read and message for a subject that is so important, especially at this period of time. Will purchase additional as gifts. Congrats to the author.

My children love to read and I am so happy that there are books like this one out there that I can read to them.

This book is a great pick for inspiring and interesting accounts of women’s firsts that can be appreciated by a wide age range. Great for reading to young ones ( I love reading it to my 11-month old daughter), while easy readability makes it suitable for even older children. Each character is also nicely illustrated creating fun imagery.

What an incredible way to honor remarkable women in history and to inspire our kids to persue their dreams! This book is a wonderful representation of strength and bravery, it’s fun to read and a great way to recognize pioneers of our generation and those before us.

Love love the whole idea of this book. Teach our little girls about big dreams. This was a awesome idea and very inspiring.

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Download PDF Art on My Mind: Visual Politics

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Art on My Mind: Visual Politics

Art on My Mind: Visual Politics


Art on My Mind: Visual Politics


Download PDF Art on My Mind: Visual Politics

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Art on My Mind: Visual Politics

From Publishers Weekly

A prolific critical writer, hooks has contributed a collection of essays on contemporary art and what she describes as the troubling relationship between the dominant white, male art world, its practices, protocols and biases, and the creative production of African American artists-particularly women-and others whose works grapple with issues of identity and social context. Decrying the lack of black critics writing on today's art, hooks provides a minute dissection of issues of race, gender and "cultural hegemony" in the works of the late Jean-Michel Basquiat; examines the historical impact of photography in black life and the trenchant intelligence and beauty of Carrie Mae Weems's photographs; and highlights important critical works by black art historian Sylvia Boone and black architect LaVerne Wells-Bowie. Hooks has a knack for balancing flat academic jargon with vivid language, illuminating the historical and psychoanalytic underpinnings of her topics while anticipating the visceral responses of a lay audience. Despite her generic invocations of the dominant, marginalizing Eurocentric patriarchy, etc., etc., her passionate and highly personal exploration of these and other issues (including a distressing account of her own illness and an aestheticized betrayal by an artist friend) transforms academic abstractions into recognizable human patterns linking the everyday lives of Americans, black or white. Copyright 1995 Reed Business Information, Inc.

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From Booklist

In her first book about art and the "politics of the visual," hooks, a writer known for her clarifying views on feminism and black women, addresses the deplorable absence of discourse on black artists, especially by black critics. Why, she asks, has art played a minimal role in the lives of most African Americans? With a firm grasp of the racial and cultural climate in which black aesthetics must grow, hooks offers some astute answers to that question and holds out hope for change. She then hones her aesthetic in her adept interpretations of the work and impact of black artists, including Romare Bearden, Jean-Michel Basquiat, Alison Saar, Felix Gonzalez-Torres, Carrie Mae Weems, Lorna Simpson, and Margo Humphreys. Hooks also discusses portrayals of black women and men in art and, in an essay on photography, how the "struggle over images" became part of the black liberation movement. Art matters, hooks assures us; it helps us forge our identities while forcing society to evolve from being exclusive to inclusive. As erudite and sophisticated as hooks is, she is also eminently readable, even exhilarating. Donna Seaman

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Product details

Paperback: 240 pages

Publisher: The New Press (July 1, 1995)

Language: English

ISBN-10: 1565842634

ISBN-13: 978-1565842632

Product Dimensions:

5.5 x 0.5 x 8.5 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#73,684 in Books (See Top 100 in Books)

This is a book of essays and a few interviews focusing on artists, primarily photographers who have made a name for themselves as African-American photographers. Hooks speaks about the challenges of being a black artist and the criticism that comes if one is not "black" enough in their art or if they are "too black" or seem to be too negative in their work. There are so many different disciplines that this book would provide insight into including revolutionary studies, black studies, art studies, sociology, and much more. A fairly easy read.

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I like the story, pretty interesting,

This book is, at its best, thought-provoking, in that its discussions of art from an African-American feminist perspective employ a voice not often heard in the field. However, there are flaws to the work, in the opinion of this reviewer. First, not all of the works discussed are illustrated, which makes it difficult at times to perceive what the author is discussing. Second, while the essay chapters are strong, the "talking art with" chapters are less so: the artist featured in each chapter comes across as more of a foil to hooks's lengthy expositions. This, combined with an overuse of the term "palimpsest" throughout the book, lends a note of arrogance to the writing.

hooks challenges all who reads this book find the importance in their own histories. She makes the reader aware of the lack of representation of African American artists as well as the lack of representation of minorities and women in art history. She looks at more than just the injustice of the whole system but also the importance of images in peoples lives.hooks has a very refreshing style of writing in that she is not afraid to allow the reader to enter her personal life. I felt as if I were involved in a personal conversation with her.

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Free Ebook The Shirley Letters from California Mines in 1851-52

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The Shirley Letters from California Mines in 1851-52

The Shirley Letters from California Mines in 1851-52


The Shirley Letters from California Mines in 1851-52


Free Ebook The Shirley Letters from California Mines in 1851-52

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The Shirley Letters from California Mines in 1851-52

Product details

Paperback: 134 pages

Publisher: CreateSpace Independent Publishing Platform (November 25, 2017)

Language: English

ISBN-10: 1981136436

ISBN-13: 978-1981136438

Product Dimensions:

6 x 0.3 x 9 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#476,226 in Books (See Top 100 in Books)

I bought _The Shirley Letters_ after reading a SF Chronicle review of the new John Adams/Peter Sellars opera "Girls of the Golden West" based in part on this book. The reviewer panned the opera but raved about "Dame Shirley's" contemporary account of the Gold Rush.I'm loving the book too. The author's first-person voice, in letters she actually sent to her sister back home in Massachusetts in 1851-52, is self-deprecating, open-minded about her adopted world (natural beauty, primitive living conditions, rough human company), and often witty: the local gourmet chef's hair is "frizzled to the most intense degree of corkscrewity." She does occasionally lapse into the stilted syntax of her era but more often writes direct, lively sentences.The subject matter is also irresistible: a portrait of gold-mad 1851 San Francisco at first, midway in time between the two views (1830s and 1870s) Richard Henry Dana gives us in _Two Years Before the Mast_, and then the trek into the Sierras and life in gold-mining territory at the height of the Gold Rush.The lengthy front matter in the eBook tells us more about the author, whose real name was Louise Amelia Knapp Smith Clappe: married to a doctor who sought work in the Sierras for health reasons and to seek fortune, a celebrity once her letters appeared in print in 1854-55, and later a schoolteacher in San Francisco and mentor to young writers, notably Bret Harte, at least two of whose best-known stories appear to have been drawn from Clappe's book.

This is a really fun read for anyone who's interested in California history, especially during the Gold Rush. "Dame Shirley" was quite the observer and storyteller. Though you should probably take her words with a grain of salt, her descriptions of camp life are a joy to read.One note: I started reading from the beginning and was like, "What? These aren't letters." The book begins with a VERY long essay *about* the letters, not with the letters themselves. I thought maybe I had mistakenly downloaded a scholarly study of the letters. Turns out you just have to skip WAY ahead before getting to Dame Shirley's correspondence with her sister.(Also, the letters are a lot more fun and evocative if you imagine them in the voice of Alma Garrett from Deadwood. Trust me.)

This edition edited with an introduction by Marlene Smith-Baranzini has added so much more information before I even got in to the letters.This is one of my favorite histories and "Dame Shirley's" writing is exceptional. Her early years and schooling in New England gave her a love of putting pen on paper.. How fortunate we are to have these letters written first hand by a women living in the raw gold mining world of 1851 and 1852 California.

For a sense of early California history and a feel for what mining life was like as seen through a woman's eyes, nothing could be better. I think this is a must read!

Great read! These letters serve as some of the earliest first person reports to come out of the Gold Rush. These historically important letters are well written with great description and humor and best of all, they were written by a woman! Awesome find!

Very well written. This account of the mining life on the Feather River is compelling and entertaining. As a northern California resident I found this book to be of particular interest.

Important addition to California history from a woman’s perspective.

Her account of the times is just that. She does not write about her feelings. Leaves a lot to the imagination. Writing style of the time (50+ word sentences) makes for laborious reading.

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