Ebook Download Faith in Poetry: Verse Style as a Mode of Religious Belief (New Directions in Religion and Literature)
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Faith in Poetry: Verse Style as a Mode of Religious Belief (New Directions in Religion and Literature)
Ebook Download Faith in Poetry: Verse Style as a Mode of Religious Belief (New Directions in Religion and Literature)
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Review
“Insightful, ingenious, and compelling, the book should be a welcome addition to the library of anyone interested in the intersection of religion and aesthetics ... Hurley discovers, or rediscovers, poems that have been covered up by generalities, whether the generalities of literary history or of various ideologies. Wiping clean the fogged mirror and dusting the lamp, he allows us to see again, or for the first time, the brilliance of poems dimmed by decades of accumulated opinion. In doing so, he returns us to the poets he has chosen -- Blake, Tennyson, Christina Rossetti and T. S. Eliot -- with fresh interest in their poems, and this certainly numbers among the highest accomplishments of literary criticism.†―The New Criterion“Among such recent scholarly recoveries concerning the dynamic interplay between literature and theology, Hurley's Faith in Poetry: Verse Style as a Mode of Religious Belief is a significant contribution ... An engaging and striking read. It blends rigorous and careful scholarship with a thoughtful treatment of religious poets as those who dare to believe in God and poetry.†―The Catholic Herald“This book offers a highly revisionary reading of English verse since the Romantics. Much of the greatest poetry of this period, it argues, has after all retained the paradoxical dual mark of distinctively poetic speech as both formal and inspired. Its originality consists not in an experimental undoing of form or denial of inspiration (in the name of either subjective expression or objective craft), but in a specifically religious defence of these things which simultaneously suggests that the defence of religion requires a renewal of poetic practice. Such a 'faith in poetry' experiments with prosody and achieves a new musicality, not for their own sakes, but as the only way to intimate transcendence and to develop the experience of a belief that is turn by turn both luminous and difficult.†―Catherine Pickstock, Professor of Metaphysics and Poetics, University of Cambridge, UK“Beautifully conceived and beautifully written, this study provides an essential context for nineteenth-century poetics. The nexus of poetic form and religious culture complicates the legacy of Romanticism and exerts real weight on poetry even today. Hurley's prose will be both rewarding to scholars and accessible to students. One could hardly ask for a more lucid and elegant treatment of these important questions.†―Charles LaPorte, Associate Professor, University of Washington, USA“With chapters on Blake, Tennyson, Christina Rossetti, Hopkins and T. S. Eliot, Hurley's captivating and arresting study of the theological implications of style, in the authors he reads and also his own writing, stakes out the productive possibilities of writing about Victorian poetry in a way that keeps both religious and literary forms firmly in the forefront of our thinking.†―Victorian Literature and Culture
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About the Author
Michael D. Hurley teaches English Literature at the University of Cambridge, where he is a University Lecturer and a Fellow of St Catharine's College. He is the author of G. K. Chesterton (2012), co-author (with Michael O'Neill) of Poetic Form (2012), editor of the new Penguin Classics edition of The Complete Father Brown Stories, and co-editor (with Marcus Waithe) of Thinking Through Style: Non-Fiction Prose of the Long Nineteenth Century (2017).
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Product details
Series: New Directions in Religion and Literature
Paperback: 216 pages
Publisher: Bloomsbury Academic (May 30, 2019)
Language: English
ISBN-10: 1350111635
ISBN-13: 978-1350111639
Product Dimensions:
5.4 x 8.5 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#4,056,359 in Books (See Top 100 in Books)
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